This stands in stark contrast to Davidson's self-titled debut EP (HOLODECK, 2013), which depicts a disoriented mind struggling for stability throughout a period of depression in her musical and personal life. Through this concerted disclosure, Marie's unique practice of surreal atmospheric composition now shows irrepressible traces of exuberance, displaying a fresh luminosity in her emotive palette. This act of self-journalism serves as a psychological cleansing that evokes an authentic sense of warmth and empathy, rendering Un Autre Voyage as Davidson's most transparently honest artistic document yet. Un Autre Voyage (translated as "Another Journey") is a collection of songs based solely on true events, providing the listener with an unfiltered primary account of Marie's intrapersonal experiences.
#EXCES DE VITESSE SERIAL#
Davidson's third album Un Autre Voyage demonstrates her heightened compositional skill behind a sequencer as well as her singular ability to anesthetize the senses through the documentation of her own serial pattern of experiential growth. Davidson's intimate solo work is embodied through a host of synthesizers and drum machines that coalesce in synchronized harmony, punctuated by Marie's hypnotic vocal delivery, sung and spoken in both French and English.
In 2012 Marie began to unveil compositions under her own name, revealing a solo artist who possessed the confident vulnerability required to write, produce, and perform unaccompanied.
As a long-time member of Les Momies de Palerme, Hotel Monochrome, DKMD, and Essaie Pas, Marie has continued to hone her many talents in Montréal's fervent experimental communities for much of her adult life. From the prolific cultural epicenter of Montréal, Marie Davidson has emerged as one of the foremost electronic artists in contemporary underground pop today.
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